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Writing for me is compulsive. If inspiration hits and I cannot find anywhere to write I tremble, stutter and flush. I am addicted to writing poetry. I'm not sure what genre I actually belong to. Poetry is such a wide field and the variations on themes are massive.

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I tend to write for performance, which can mean that as printed word, the rhythm or pace are lost. Perhaps my difference is that I am somewhat confessional, honest, sometimes brutally. It is often preferable to write about false situations, things outside our own lives. Reflective poetry can so often become indulgent. I try to allow Sluts in maughold these indulgences, but balance them with poems about Looking for a friend close in slovakia world. I think good poetry is honest poetry. It's all about the feels. Did I just answer this above by accident?

I write to clear my Sluts in maughold. When I have strong feelings about something I find it rattles about in my head until I scrawl it over the page. If this comes out as lucid thought, so much the better. If not, I'll keep hold of it and try to channel it into something later. I'm a mother to a five year old child as well as a full time pharmaceutical dispenser. I adore my son and thoroughly believe that he keeps me on the straight and narrow. Without him I may well have run away and joined the circus, or ended up dead in a ditch somewhere. He is a great inspiration and a hell of a drain on my available writing time. Swings and roundabouts are also things we enjoy.

Other times I write to escape. Some of the worlds my poems are based in are mirrors of this one. I enjoy lucid dreaming on a fairly regular basis, as well as Alice in Wonderland Syndrome which affords me certain sensations and experiences impossible on the physical plane. The challenge is to translate these into a format that other people can share. I'm still working on that. The time I have for writing is, as you can imagine, minimal. I find myself staying up until silly-o-clock to complete things. It's usually a case of gestating ideas for a long time until they burst forth, fully-formed in phrasing and meter from my subconscious.

When I work on something specifically, I am rarely as happy with the result and cannot help myself but pick and poke at the final result, as if it is a wound that I won't let heal. Maybe the chaos is as important as the inspiration. Maybe the chaos is the inspiration. Performance, however is something I have to prepare for thoroughly. It is as important as the words written, for this is how I convey my poems. For this, I lock myself in the toilet in the garage, where there is a mirror and perform to myself. It probably looks and sounds crazy.

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